Cyrano de Bergerac has been told numerous times since its inception in 1897, but I hardly think there’s been a version to match the grandiose vision of the material such as the new musical directed by Joe Wright.
Wright, whose credits include Pride & Prejudice, Atonement and Darkest Hour knows how to create a historical world and craft characters who help accentuate the time period. With Cyrano, he scores another winner.
Peter Dinklage stars as the titular character whose short stature is only outmatched by his massive charisma, impressive swordsmanship, and of course, his ability to write swooning letters that spring to life.
Haley Bennett costars as Roxanne, Cyrano’s love interest, but she falls for the brave and dashing Christian de Neuvillette (Kelvin Harrison Jr.). Christian’s affections reciprocate and he’s desperate for Cyrano’s help in order to win her over.
Ben Meldonsohn is De Guiche and he’s determined to take Roxanne away and make her his own. Now it’s a love quadruple as to which man will get to claim Roxanne’s heart.
For those who are familiar with the story, this version stays faithful as in one scene where Cyrano hides in the shadows and delivers his romantic prose while Christian stands in an archway looking up at Roxanne at her balcony.
When I heard that this was going to be a musical version, I somewhat expected the numbers to be all style and no substance. I expected flashy choreography and forgettable songs that would come off as cheesy instead of memorable. Thankfully, this movie proved me wrong.
Instead of the music merely calling attention to itself, it advances the story and the actors’ voices are exceptional without becoming distracting or forced.
Dinklage is the anchor of the movie with a charming, committed performance. He brings humor, spirit and energy when he’s on screen which is quite often.
The rest of the cast is also measured both in terms of their acting and singing. They’re never too broad and they’re never underplaying their roles. They find the right notes (no pun intended) to help support the story.
The production and costume designs are borderline immaculate. It’s grand but never too grand. It’s elaborate but never distracting. Again, a great balance.
Filled with terrific performances by its lively cast, musical numbers that are wonderfully staged and Wright’s assured direction, this Cyrano is one to sing home about.